For most of her reign, the Queen was roused by the sound of bagpipes played beneath her window — at all her residences around the country. The Piper to the Sovereign has for decades acted as a personal alarm clock, playing for 15 minutes each morning, as well as on state occasions.
But on Monday, the piper will have a different role. The music that signaled the start of the Queen’s mornings will now signal the end of her funeral, as he plays one final lament while her coffin is lowered into the Royal Vault beneath St. George’s Chapel at Windsor Castle.
The piper will play from the doorway between the chapel and the Dean’s Cloister. While doing so, he will start to walk slowly toward the Deanery so that the music within the chapel gradually fades. It’s a moment full of symbolism as it reflects a similar ending to Prince Philip’s funeral last year.
Before the committal service in Windsor, the piper brought the state funeral service in Westminster Abbey to an end with a lament, “Sleep, Dearie, Sleep.”
The role of Piper to the Sovereign dates back to the reign of Queen Victoria. During a visit to the Scottish Highlands, she and her husband, Prince Albert, became enamored of the sound. Since the role was created in 1843, there have been 17 chief pipers.
On Monday, the music is being played by Pipe Major Paul Burns, of the Royal Regiment of Scotland, who took up the role last year. He will play a lament as the Queen’s coffin is laid to rest.
Methven lost his parents and his wife within eight months, while serving as Queen’s piper. Speaking to the BBC, Methven recalled “standing with the Queen,” who said, “If you’re not here in the morning and you don’t play the bagpipes, then I know you’re away. Don’t wait to ask anyone, just go home if your family need you because it’s family first.
“You know, Pipes,” the Queen continued, “if anyone has a problem with that, you tell them that I said it was OK to go.”